Angelina Jolie never expected to hit all the notes. But finding the breath of Maria Callas was enough to bring things out of Jolie that she didn’t even know were in her.

The important thing to know going into “Maria” is that it’s the third in a trilogy of films directed by the Chilean whirlwind Pablo Larraín that seek to recover the women behind the plaster saints of 20th-century iconography.

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Angelina Jolie glides through the final days of Maria Callas in Pablo Larraín’s “Maria." Currently playing in select theaters and streaming on Netflix Dec. 11, “Maria," rated R, plays like an opera, grandly theatrical and evocative of a larger-than-life star.

To the generations of opera singers that came after her, she’s still an era-defining consummate artist. “She’s an icon. There’s no other way to put it,” said bass Morris Robinson, who recently sang the role of Ramfis in “Aida” with Boston Lyric Opera.

Mystery of the Callas millions resurfaces as jewels are are put up for auction,” was the headline when Sotheby’s announced the sale of 11 pieces of jewelry from the collection of Maria Callas in October 2004.

Angelina Jolie took seven months of voice lessons to portray Maria Callas in Pablo Larraín’s Maria. The titular opera soprano left an indelible legacy with her unparalleled voice — and with her elegantly bold style,