Following his career as a GQ fashion columnist, writer-director Mark Anthony Green makes his feature debut with a chillingly relevant dark comedic horror that gives Ayo Edebiri and John Malkovich ...
The director has said in the press notes that even if his film isn’t seen as a social course correction, “at least we’ll always have John Malkovich hip thrusting in a metallic space suit.” ...
Malkovich’s subdued and convincing performance, defined by a low and drawn-out intonation, chafes against Green’s verbose screenplay. There’s a clear excitement around these ideas ...
the incomparable John Malkovich. “Opus” puts the two in a battle: music journalist versus musician. Malkovich plays Moretti, an elusive musical superstar reemerging after decades to release a ...
The setup is that a reclusive ’90s pop superstar named Moretti (John Malkovich) has invited six journalists to his rural compound for an ultra-exclusive (and eventually ultra-violent ...
Mark Anthony Green’s thriller about a music icon's sinister listening party delivers neither good songs, nor deep chills. A remote location. A group of unsuspecting, idiosyncratic hopefuls.
Even as it gestures towards a host of rich ideas concerning the dangers of sycophantic celebrity worship (and the increasing dearth of independent critical voices required to keep our cultural ...
But the opportunity comes knocking with a piece of groundbreaking news: completely missing-in-action for 30 years, ‘90s music icon Alfred Moretti (John Malkovich) has decided to reappear in ...
Kristy Alpert Named after one of Big Sur's most beloved pioneers, Julia Pfeiffer Burns State Park is a favorite among both locals and tourists. A feast for the eyes, the park features seven marked ...
In the “Opus” universe, Alfred Moretti (John Malkovich) was one of the greatest living pop stars of the late 20th Century (think Elton John meets Madonna with a big mean streak). His last big hit, ...
Although it is (barely) kept afloat by strong visuals and an enjoyable performance by John Malkovich, Opus is consistently weighed down by a generic script that struggles to find its tone and identity ...